Thursday, May 18th

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8.00 am – 8.30 am: Registration (C-2081, C-2083)

8.30 am – 9.00 am: Official 3rd International ISIS Conference Opening (B-2325)

9.00 am – 10.15 am: Keynote Speech 1 (B-2325)

“Beyond the Analog Revival: Constructing Digital Models of Analog Signal Processors”
Jonathan Sterne (McGill University)
Chair: Silvestra Mariniello (Université de Montréal)

10.15 am – 10.30 am: Coffee break (C-2081, C-2083)

10.30 am – 12.30 pm: Celebrating CRIalt’s 20th Anniversary – session 1 (C-3061)

Intermedial Approaches to the “dispositif”: Artifices of Mediation

Chair : Viva Paci (Université du Québec à Montréal (UQAM)

“Intermediality, Atmosphere, and Magic”
Éric Méchoulan (Université de Montréal)

“Tracking the Afterlife of Images: the Intermedial Dispositive of The Warburg Library and its Photographic Collection”
Philippe Despoix (Université de Montréal)

“From Immediate to Media(te), and back again. Photography, between Analogue and Digital”
Suzanne Paquet (Université de Montréal)

“Authenticity, Obsolescence and the Analogue Renaissance: Kodak’s ‘new’ Super8 camera”
André Habib (Université de Montréal)

12.30 pm – 1.30 pm: Lunch (C-2081, C-2083)

1.30 pm – 3.30 pm: 3 parallel sessions Ia, IIa & IIId

NB : I: Theoretical and historical perspectives; II: Changing perspectives; III: Aesthetic perspectives; IV: Magical perspectives.

Ia: Theoretical and historical perspectives (C-3061)

Chair: Jean-Simon Desrochers (Université de Montréal)

“Coherence and Truthfulness in Communication”
Lars Elleström (Linnæus University)

“Tactile Media : Three and a half simplifications”
Klemens Gruber (University of Vienna)

“Questioning the Authentic: staging distinctions and oppositions, affecting illusions and confusions”
Chiel Kattenbelt (Universiteit Utrecht)

“« Mobilographie » and editing, the creation of a certain form of authenticity”
Sophie Rabouh (Université Paris 1 Panthéon-Sorbonne/Université de Montréal)

IIa: Changing perspectives (C-2059)

Chair: Andrea Oberhuber (Université de Montréal)

“Aesthetics of Remanence: Analogue Video in the Age of Retrospectacle”
Jonathan Rozenkrantz (Stockholm University)

“The Point of View as an Artifice? Focalization and Defocalization”
Gilbert Jacques Athanase (Université de Nantes)

“The Reading and Interpretation of Cinematographic Screenplays by Screen Actors”
Gabrielle Tremblay (Université du Québec à Montréal (UQAM)

IIId: Aesthetic perspectives (C-1017-2)

Chair: Philippe Theophanidis (York University)

“Theatre of photography”
Joel Anderson (University of London) / Wiebke Leister (London College of Communication)

“Designing theatrical mixed-reality experiences: Viewpoint of a technical dramaturge”
Joris Weijdom (HKU University of the Arts Utrecht)

“Voice, Technology and Effects of Authenticity”
Birgitte Stougaard Pedersen (Aarhus University)

3.30 pm – 3.45 pm: Coffee break (C-2081, C-2083)

3.45 pm – 5.45 pm: 3 parallel sessions Ib, IIb & Celebrating CRIalt’s 20th Anniversary – session 2 (in FRENCH)

Ib: Theoretical and historical perspectives (C-2059)

Chair: Marcello Vitali-Rosati (Université de Montréal)

“« As if » it’s the Real Thing: Dematerialization and Difference on the Intermedial Screen”
Lai-Tze Fan (Concordia University)

“The voice is out of joint”
Jari Kauppinen (University of the Arts Helsinki)

“Graphemes and Phonemes -- A Ludic Interplay between Liveness and Mediation”
Aaron Finbloom (Concordia University)

“Mediation as spacing: defiling authenticity”
Philippe Theophanidis (York University)

IIb: Changing perspectives (C-1017-2)

Chair : Lars Elleström (Linnæus University)

“Beuys’ Hut und «ZIEHN SIE DEN BEUYS AUS!»”
Heidrun Führer (Lund University)

“From presence to hyperpresence?”
Olivier Nannipieri (Laboratoire I3M, Université de Toulon) / Hakim Hachour (Laboratoire Paragraphe, Université Paris 8)

“Post Tat: Intermedial Subjectivities of Skin and Screen”
Robert Lawrence (University of South Florida)

Celebrating CRIalt’s 20th Anniversary – session 2 (in FRENCH) (C-3061)

Chair : Djemaa Maazouzi (Collège Dawson)

“Formats, Approaches, Discourses : Remediating the 1999 CRI Conference « A New Intermediatic Sphere »”
Rémy Besson (Université de Montréal), Caroline Bem (Université de Montréal), Suzanne Beth (McGill University), Claudia Polledri (Université de Montréal)

6.00-pm – 7.00 pm: COCKTAIL CRIalt’s 20th ANNIVERSARY (C-2081, C-2083)


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The international seminar will be live-broadcasted via the Canada Research Chair on Digital Textualities's YouTube account.

Thursday, 18th May.

Opening session : 8.30 am - 10.15 am.

Intermedial Approaches to the « dispositif » : Artifices of Mediation : 10.30 am - 12.30 pm.

Theoretical and historical perspectives - session 1 : 1.30 pm - 3.30 pm.

Perspectives dynamiques - session 1 : 1.30 pm - 3.30 pm.

Perspectives esthétiques - session 1 : 1.30 pm - 3.30 pm.

Theoretical and historical perspectives - session 2 : 3.45 pm - 5.45 pm.

Perspectives dynamiques - session 2 : 3.45 pm - 5.45 pm.

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