Friday, May 19th

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9.00 am – 10.15 am: Keynote Speech 2 (in French with simultaneous translation in English) (B-0325)

« La “bélinographisation” du vidéocinéma et son impact sur l’authenticité médiatique »
André Gaudreault (Université de Montréal) / Philippe Marion (Université catholique de Louvain)

Chair: William Straw (McGill University)

10.15 am – 10.30 am: Coffee break (C-2081, C-2083)

10.30 am – 12.30 pm: Celebrating CRIalt’s 20th Anniversary – session 3 (C-3061)
Sites, Milieux and Institutions of Intermediality

Chair: Johanne Villeneuve (Université du Québec à Montréal (UQAM)

« Tracing the medial: the distinctive publishing orientation of the Montreal-based journal Intermédialités/Intermediality »
Marion Froger (Université de Montréal)

“Authentic Affinity: Intermediality and Media Ecology”
Jean-François Vallée (Collège de Maisonneuve)

“Intermediality in Latin America”
James Cisneros (Université de Montréal)

“Architecture as an Artifice for Time Travel”
Elitza Dulguerova (Université Paris 1 Panthéon-Sorbonne)

12.30 pm – 1.30 pm: Lunch (C-2081, C-2083)

1.30 pm – 3.30 pm: 3 parallel sessions IIc, IIIe & IIIf

NB : I: Theoretical and historical perspectives; II: Changing perspectives; III: Aesthetic perspectives; IV: Magical perspectives.

IIc: Changing perspectives (C-2059)

Chair: Jeanne Bovet (Université de Montréal)

“Between retro and vintage: digital nostalgia and the question of authenticity”
Katharina Niemeyer (Université Paris 2 Panthéon-Assas)

“The Selfie: Understanding Mediation Through the Lens of Narcissism”
Marina Merlo (Université de Montréal)

“« This will kill that »: nostalgia and media dynamics in Notre-Dame de Paris by Victor Hugo and Luc Plamondon”
Jean-François Thériault (Université de Montréal)

IIIe: Aesthetic perspectives (C-3061)

Chair: Serge Cardinal (Université de Montréal)

“The Vanishing Vanishing-Point: Mediated Violence in the Lost Garden of Paradise”
Brianne Cohen (University of Colorado, Boulder)

“Monastic Silence and a Visual Dialogue: Hypermediacy with Cloistered Nuns”
Abbie Reese (University of Chicago)

“Mediatized Authenticity. Öyvind Fahlström’s performance "Kisses Sweater than Wine" (1966)”
Per Bäckström (Karlstad University)

IIIf : Aesthetic perspectives (C-1017-2)

Chair : Klemens Gruber (University of Vienna)

“Authenticity and illusion in the music of Pierre Schaeffer”
Martin Laliberté (Université Paris-Est Marne La Vallée)

“Doubles, Groups and Rhymes and the stereo LP. Spatialized works by Boulez, Stockhausen and Pousseur”
Jonathan Goldman (Université de Montréal)

“Adaptation as Artifice: Dramatizing Damnation via Digital Design”
Christophe Collard (Vrije Universiteit Brussel)

3.30 pm – 3.45 pm: Coffee break (C-2081, C-2083)

3.45 pm – 5.45 pm: 2 parallel sessions IIIg & IVa

IIIg: Aesthetic perspectives (C-3061)

Chair: James Cisneros (Université de Montréal)

“Mediating Authenticity: The Trial in Literature and the Mediality of Witnessing”
Beate Schirrmacher (Linneaus University)

“Deconstructing Magic Realism of Andrei Tarkovsky: Sound Design and the Category of Irreal”
Julia Shpinitskaya (University of Helsinki)

“The Druckfrisch Interview or the Staging of the Author’s Hypermediated, Authentic Self”
Izabela Potapowicz (CRIalt)

IVa: Magical perspectives (C-1017-2)

Chair: Martin Laliberté (Université Paris-Est Marne La Vallée

“Magic, Authenticity, Touch: Adapting Houdini’s Spiritualist Exposé Techniques to New Media”
Joe Culpepper (Concordia University)

“« Rendre réel aux yeux du public... » – Stage Craft, Film Tricks, and the Féerie”
Frank Kessler (Utrecht University) / Sabine Lenk (Research Group Visual Poetics, University of Antwerp)

7.00 pm: ISIS OFFICIAL BANQUET – Restaurant le Cercle - HEC


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The international seminar will be live-broadcasted via the Canada Research Chair on Digital Textualities's YouTube account.

Thursday, 18th May.

Opening session : 8.30 am - 10.15 am.

Intermedial Approaches to the « dispositif » : Artifices of Mediation : 10.30 am - 12.30 pm.

Theoretical and historical perspectives - session 1 : 1.30 pm - 3.30 pm.

Perspectives dynamiques - session 1 : 1.30 pm - 3.30 pm.

Perspectives esthétiques - session 1 : 1.30 pm - 3.30 pm.

Theoretical and historical perspectives - session 2 : 3.45 pm - 5.45 pm.

Perspectives dynamiques - session 2 : 3.45 pm - 5.45 pm.

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